Helmed by Portishead co-founder the musician-producer, this scabrous though undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to burgle his own parents. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Still, a grimly amusing standoff unfolds – David eager to get away; the Poacher denying his container of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Sensibility
Just a single important plot development, but it results in a comically executed rampage on the woodland paths that veers toward folk horror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
The film releases in British and Irish cinemas from November 17.
